My name is Charlie, but if your looking for my work, I go by C. E. Dorsett. I write scifi, fantasy, and a touch of horror. I like to play with gothic, steampunk, decopunk, epic fantasy, and wuxia. I love to tell stories and talk about books, movies, series, and music.
Green Lantern and the Tiger Construct
If my love for Green Lantern is not the stuff of legends yet, then it soon will be. The brilliant hyper-cartoon of Hal Jordan and a green tiger is an original piece by Dave Perillo. He was commissioned to make this brilliant image. Part of me thinks this is the "The Incredibles" version of GL, or maybe "The Fairly Odd Parents" version. I love the clean lines, and how it reminds me of the old World War II era posters.
(via Montygog's Art-O-Rama! Thanks Bill!)
Interview: Chris Cowan and Lex Randleman from Elseworlds
I interviewed Chris Cowan (Cyborg/Cameraman) and Lex Randleman (Mister Teriffic/Writer) from the brilliant new webseries Elseworlds.
Why did you choose to make webseries in the Elseworlds setting? While it is one of the most fascinating DC setting, it is not as popular as their other setting?
Lex Randleman (LR): Elseworlds provided a malleable way to craft a story about a universe I, otherwise, wouldn't have been able to depict. Knowing I could twist and turn things however I wanted gave my imagination some room to wander. We (Cowan and I) would never be able to make a DC Universe like what's seen in comics and other media.
Also, I get a sense of ownership out of this that I couldn't get from another kind of story. Sure, these aren't MY characters, but this is MY vision of them. It's funny to me that your review mentions casting (Praise I TOTALLY appreciate) and what kind of process that must have been for us. It's funny because we didn't match the cast to the characters--we matched characters to the cast. The characters we were confident we COULD portray well are the characters we chose to play out the story. They ARE the story. That was our jump-off point.
Chris Cowan (CC): We’re only planning to do 6 episodes for this story. As much as we love doing this, we also have MANY more projects planned (mostly all original and a few being fan fiction works). But I mean if DC/WB would want to fund a project like this then I’m sure we could do quite a few more episodes <wink> <nudge>
LR: Yeah, 6 episodes. That's not because I couldn't make this story stretch, no. It's because we've set a pace that I can't completely halt. Given free reign, I would basically restart and show SO much more of the action and events that preceded the present action in this story. Cowan can attest to the fact that I've built up a whole history for this world and all of its characters, but reality (a.k.a. $) dictates that I must exercise some restraint.
Are all of the episodes written ahead of time or are they being written as the series progresses?
LR: The episodes have been written one by one as my time allows. I put episode 2 in Cowan's hands. He filmed it. I put episode 3 in his hands. He filmed it. He just got episode 4. I took my time with that one. And he'll film it soon. It's played out that way because this whole project was sprung on me by Cowan (Yes, man, I am taking a dig at you) with the release of the 1st episode (incomplete, at that!) a YEAR after the project had been conceived. Since then, I've had to rethink a lot of the things I had originally intended.
I know it sounds like I'm blaming Cowan like he did something awful. That's not the case. He actually challenged me in a way that I just hadn't expected. In the end, I can't be mad at that. After a long period of not writing the way I should have been, I can feel my blood pumping again. This project has reawakened some of my dormant creativity.
CC: Hey, It’s not my fault that he liked the cut of the first episode. I edited it randomly out of the blue a few months ago and showed it to him and he said “Cowan, that was hot.” Haha. So I said lets keep going with it – and we have. Besides, if I hadn’t, Lex might have never came up with the story that he’s created (which I think is a really good and original one).
But yeah, the episode scripts are given to me one by one. In fact, the Episode 2 script was put in my hands not even 5 minutes before filming hah. We’ve always been a sort of run & gun crew of filmmakers though (when budgets not involved – because it usually isn’t for our personal projects ha).
Episode 3 is over 8 minutes as opposed to the 2 - 3 minute length of the previous episodes, what is the target length for the remaining episodes?
CC: At first, we thought it’d be a good idea to keep the episodes under 4 minutes. One reason being that we were gearing this towards youtube and usually 2-4 minutes is the avg. length of most videos – and I figured that’d be the avg. youtuber’s attention span (because it is for me ha). Not to mention, it would have been a smoother editing flow for me. Now, after seeing how episode 3 came out, we realized that we prefer the 8-10 minute run time. There was a thought to break up Episode 3 into two parts but we liked how it ran all together, so we kept it – and the response towards the runtime was a positive one.
LR: The thing about targets is that you either miss them or they get shot... That's my way of saying I don't know. Even after I write the script and we "should" know how long an episode will be, it all gets muddled in the production. A lot of last minute changes and improvements happen ON SET. That's our creative process.
Do you have any plans to make them available for download/ podcast? (with the abundance of companies like Mevio who offer free hosting I hope you do)
LR: I don't know. Cowan, do we have plans like that??
CC: Haha honestly, I don’t know why I haven’t thought about doing that already. I’ll definitely make them available for download.
What software are you using to make the special effects?
LR: I have this awesome special effects program called Triple C...Christopher Clark Cowan.
CC: Hah and I this awesome special effects program called Adobe After Effects. In terms of any other technical questions that anyone might have – I edit on Final Cut Pro and shoot on the Panasonic DVX100a. I’m hoping to be able to shoot the finale in HD – More on that to come though.
How long does it take you to produce an episode?
CC: It always depends. Script writing and scheduling are the biggest time consumers – even more so than with the shooting an editing. Shooting is fairly easy because after reading the script, I can already see what I want to do (let me rephrase – I can already see what I’m able to do haha). Editing usually takes me 2 days because after we have it all shot, I clear my schedule and sit in front of my computer for 2 days straight and edit. There’s usually food/sleep and some Xbox 360 spliced throughout those 48 hours.
LR: That always varies because of the time I might take to write the script and the scheduling that needs to get worked out for the actors and such. When everyone works for free, it's hard to put a demand on anyone's time-- except, of course, for mine. Cowan is always making demands on my time... I'm so disrespected...
What is your production schedule like?
LR: What's a schedule?
CC: Yeah we don’t really have one. It all depends on all of our work schedules. I call a friend and ask “can you film today?” they say “no.” I say “what about tomorrow?” they say “sure” and then we film. That seems to be the extent of our “schedule” ha.
Do you have any advice for anyone who wants to make their own webseries?
CC: Just go out and do it. You don’t need a huge budget to do everything (it helps – but it’s not always necessary). One of the most fun parts for me is reading a script and challenging myself to come up with ways to achieve a certain shot and/or effect that I wouldn’t otherwise be able to do with out a lot of money. Even if you do have the funds, it’s always nice to keep a “that look for less” type of mindset.
LR: Don't be afraid to do take the time to make things RIGHT. There's no profit to be made, really, but the chance to share your passion and your vision. If you compromise those two things, then you've wasted your time and your project will suffer. I find that when I look back onto our older projects, the things I regret are the decisions we made for any reason other than "that's how we want it." Compromise = Regret.
Also, embrace your dorkdom. I don't write for the masses. I write for myself. I write for other comic book nerds like myself. They're the only people I hope will truly "get me." Everyone else can catch up. That's what Google is for.
LR: Have we thought about it? We did it! X3i is the name of the series we produced in college at The Ohio State University. We diverted our attentions from that series to do a feature based off of the series...Long story short...We didn't finish either the series or the movie.
Don't look at me! The scripts were written! The culprit is always the same: RESOURCES. Resources in the form of money (or lack thereof), casting, sufficient time, and ALL of the stuff that can derail a zero-budget project. It also goes back to our policy to not deliver crap. If it wasn't going to get done RIGHT, why do it?
Here's some good news: even though the project was never finished, I'm sure my dearest buddy Cowan can provide you with some fancy footage of our stuff. ;)
CC: Yeah, we’ve definitely done that already ha. X3i was our first shot at an original webseries – And one of the most fun filmmaking experiences I’ve had. Our crew is actually doing another webseries called “Komikarate” which is a sketch comedy based show (dealing with original skits and fan spoofs). All of which can be found on youtube. If you’d like to know more about X3i, you can visit: www.myspace.com/X3i
Aaaand lastly, to keep updated with the Elseworlds project, you can go to: http://dcelseworlds.blogspot.com
No more links haha.
I am enjoying the series, and will have a review of the first three episodes up shortly.
LR: I'm happy you've enjoyed our work! Your interest and excitement is what makes it all worthwhile.
CC: Many thanks to everyone for viewing and supporting! Also big thanks to Eric and Project: Shadow for the review, interview and overall interest. We’ll have episode 4 out to you all shortly!
Thank you for your time.
LR: If you made it through all 3 episodes, we should be thanking you for YOUR time.
Two nice guys and amazing artists. If you haven’t read it yet, check out my review of Elseworlds. I think we can expect great things from them in the future.
Serenity Quilt and the Cutest Gu'auld
My friend Tracey is one of the most amazing people I have met in a long time. Not long ago, she showed me her quilts. Thankfully, she said I could share them with all of you.
Her quilt of the Serenity emblem from Firefly blew me away. The intricacy of the stitching is nearing impossible to explain. You need to click the image and look at the larger image, and still much of the detail is lost in the photo.
This is not the most creative one though.
This quilt of a gu'auld and a teddy bear has to be one of the cutest and most disturbing images I have ever seen. There is something about it that just makes me smile.
The design work on this Stargate Atlantis themed bag is just breath taking.
She promised me she would send me a picture of her Stargate quilt, and as soon as he does I will post it. She is also working on a can-can dress. Hopefully, she will take my advice and get her work up on Etsy.
Toys R Us Sells Lower Back Tattoos to kids?
I am shocked and a little bit disgusted that at least one Toys R Us. While I am not against tattoos or even temp tatts for kids, but the societal implications of a lower back tattoos is not something that we should encourage kids to take on a self image that they do not understand. Shock and dismay flood my soul over things like this. Not so much for the store that would sell these things, but for the parent that would by them for their kid.
Why The Hero's Journey Simply Is
When idiots speak, I tend to ignore them, but when they make it worse, then I cannot stay silent. I felt that I had to say something, especially since it is the last time I will ever read or site io9 for anything.
When Charlie Anders wrote, New Proof That Every Scifi Epic Is Based On Joseph Campbell, I thought, "No one could be that stupid." The Hero's Cycle described by Joseph Campbell is the underlying structure of folk tales, legends, and myths found around the world. In fact, every well crafted story will follow the cycle, as it is the natural progression of events.
Then Charlie poured salt in the wound with, Eight Reasons Why the Hero's Journey Sucks. Let me take them one by one...
If Charlie had not been stoned while reading Hero with a Thousand Faces, something might have sunk in... O that is not me attacking this poor blogger, to quote the article:
Hey, we got stoned and read The Hero With A Thousand Faces in college, just like everybody else, and we thought it was super deep.
At any rate, let us examine the eight points.
It's a formula.
All story telling is formula. Beginning, middle, end. Inciting event, rising action, climax, denouement.
But over time, lazy writers like George Lucas have used it as a checklist.
While I will never defend the multitude lazy writers that are ruining fiction, it is equally lazy to blame mythopoeism for lazy writers. There is no story that does not follow the Cycle, so to say the the formula is boring is to say that every story is boring. Bad writers are boring, put the blame where it is due.
It discourages originality
To prove this point the author claims that Firefly/Serenity is original and as such does not follow the Heroes Cycle. Lets test that using the plot description from Wikipedia:
Call to Adventure
The crew of Serenity lands on an Outer Rim planet, planning to rob a local security firm of its payroll. Serenity's captain Malcolm "Mal" Reynolds is accosted by Simon, irate over Mal's decision to include River in the heist and expose her to danger. Mal overrules Simon's objections and the heist proceeds. All goes according to plan until River detects the arrival of the Reavers, a horde of feral, spacefaring cannibals. As the Reavers massacre the town's inhabitants, the raid-team narrowly escapes back Serenity, where Simon, outraged over River's near-death experience, declares that he and River will be leaving Serenity at the next spaceport.
The crew disembarks at a trading post and enters a bar to meet with Fanty and Mingo, the men who hired Serenity for the heist. River wanders into the bar and observes a television advertisement, which causes her to immediately and brutally attack the other patrons. As she prepares to shoot Mal, Simon arrives and utters a code phrase, immediately rendering River unconscious. Thoroughly confused, Mal takes River and Simon back to Serenity, where Simon reveals that River was conditioned to be an Alliance assassin.
Mal contacts Mr. Universe, a reclusive techno-geek who analyzes the bar security camera footage and discovers a subliminal message in the advertisement that, based on the quality of the encoding, reveals the involvement of the Alliance.
Crossing the First Threshold
Unknown to the crew, the message was placed by the Operative, a self-described monster with no name or rank, dispatched by the Alliance to retrieve River at all costs.
The Belly of the Whale
Mal receives a call from Inara Serra, a former passenger asking for help with local unrest. Despite recognizing the request as an Alliance trap, Mal visits Inara and meets the Operative, who offers to release Mal if he surrenders River. Mal refuses and, after being saved from defeat by Inara's quick thinking, escapes with her back to Serenity.
The Road of Trials
Aboard the ship, River reveals the existence of "Miranda," an Outer Rim planet deemed uninhabitable by the Alliance and located on the far side of a Reaver spacefleet. After the Operative wipes out all of Serenity's ports of refuge, Mal overrides his crew's protests, disguises Serenity as a Reaver vessel and sneaks through the Reaver spacefleet unmoleseted before landing on Miranda, a planet that while fully habitable contains only corpse-filled cities.
The Meeting with the Goddess/Atonement with the Father
A holographic diary entry from an Alliance officer explains the Alliance attempted to bring peace to the population by filling the atmosphere with an anti-aggression drug. The drug's effects were drastic, completely suppressing the population's motivation to self-sustain, except for the 0.1% who had the opposite reaction and became the hyper-violent Reavers.
The Ultimate Boon
Mal declares his intentions to broadcast this message to the solar system via Mr. Universe's powerful transmitters, aware of the Operative and the certain trap that awaits them.
The Magic Flight
As the Operative mobilizes an Alliance fleet above Mr. Universe's planet, Mal provokes the Reaver fleet into pursuing Serenity and leads it into a massive space battle with the Alliance. With both sides distracted, Serenity, pursued by a Reaver ship and the Operative in an escape pod, crash-lands at Mr. Universe's station. The Reavers kill Serenity's pilot Wash, the crew evacuates the ship and sets up defensive positions against the arriving Reavers, and Mal descends into the station to transmit the Miranda audio diary.
Rescue from Without
The crew's defense begins to crumple beneath the Reaver assault, while deep in the station, the Operative ambushes Mal. The crew retreats behind a blast door, which jams before it can close. With everyone wounded and ammunition low, River dives through the blast door and seals it, and immediately begins fighting the fierce Reavers.
The Crossing of the Return Threshold
Meanwhile, Mal narrowly defeats the Operative and leaves him to watch the broadcast of the audio diary.
Master of the Two Worlds
As a wounded and exhausted Mal rejoins the crew, the blast doors open to reveal River standing victorious amid piles of dead Reavers. Alliance troops burst onto the scene, but the Operative, his faith in the Alliance shattered by the Miranda message, orders the soldiers to stand down.
Freedom to Live
The crew buries their deceased friends and repairs Serenity. As the ship prepares to leave, the Operative approaches Mal and warns him of certain retaliaton by the Alliance. Mal returns to Serenity's cockpit and with his new co-pilot River, blasts into space.
Oops... it follows the hero's cycle too... So was it original or not?
Why is one hero so special anyway?
The author thinks there can only be one hero... forgetting about the round table and the fact that even Star Wars had multiple heroes. This point cannot even be taken seriously.
The "hero" is always a d00d
In the limited sample the author chose, but as always forgetting the historical context. Most heroines have only come about recently. This is something that changes with time. The hero marries the goddess and finds atonement with the Father, because the goddess is the symbol of the beneficial powers of life and the Father represents the judgmental universal punisher.
It's cheesy as hell
The author takes Campbell out of context and mocks him. That is just lazy.
He shoehorned a lot of myths into his theory
In complaining that Campbell ignores East Asia and Africa is to pretend that he never wrote the Masks of God books among others. This point is too ignorant to discuss any more.
It confuses personal growth with solving problems
Campbell's monomyth is unrealistic and spreads the idea that war is therapy.
Campbell's monomyth makes the claim that we project our inner problems on others and that we cannot fix the problem until we see what it actually is. Yeah, this is unrealistic. No one would start a war with another nation for no real reason other than that they see their own personal demons in the other nation... that has never happened.
The Hero's Cycle does not describe fiction, but also the patterns in our own life. This author has obliviously done that with Campbell's work.
This is the last time I will read io9. Most of their posts have been bad since they started, but their intellectual laziness is too much for me to take anymore. I just had to defend Campbell from these idiotic and hollow arguments.
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